References and Resources studied for eat Crow
Adler, S. (2004). On Broadway: Art and commerce on the great white way. IL: Southern Illinois University.
At the theatre: New version of 'Shuffle Along,' Negro musical comedy, is presented at the Broadway Theatre. (1952, May 9). The New York Times. Retrieved from http://query.nytimes.com/mem/archive/pdf?res=F30B16FB3C5E177B93CBA9178ED85F468585F9
Baker, J & Chase, C. (1993). Josephine: The hungry heart. New York, NY: Cooper Square Press. Barnes, C. (1973, March 14). Irene bustles merrily and relentlessly; they don't even take their clothes off. The New York Times. Retrieved from http://query.nytimes.com/mem/archive/pdf?res=F10D1FF73F54137A93C6A81788D85F478785F9
Bloom, K. (2004). Broadway: Its history, people, and places: An encyclopedia. New York, NY: Routledge.
Bloom, K., & Vlastnik, F. (2010). Broadway Musicals: The 101 greatest shows of all time. New York, NY: Black Dog & Leventhal Publishers, Inc.
Bordman, G. (2010). American musical theatre: A chronicle. New York, NY: Oxford University Press.
Bordman, G. M., & Hischak, T. S. (2004). The Oxford companion to American theatre. New York, NY: Oxford University Press.
Botto, L. (2002). At this theatre: 100 years of Broadway shows, stories and stars. New York, NY: Applause Books and Playbill Books.
Calta, L. (1952, May 13). Musical suspends to make revisions; 'Shuffle Along,' New edition of comedy success, expects to reopen in two weeks. The New York Times. Retrieved from http://query.nytimes.com/mem/archive/pdf?res=F70F1FF83B58107A93C1A8178ED85F468585F9
Clement, E. A. (2006). Love for sale: Courting, treating, and prostitution in New York City, 1900-1945. Chapel Hill, NC: University of North Carolina Press
DeFrantz, T. F. (2002). Dancing many drums: Excavations in African American dance. Madison, WI: University of Wisconsin Press. (2002).
Denning, M. (1998). (1998). The cultural front: The laboring of American culture in the twentieth century. New York and London: Verso.
Drowne, K. M. & Huber, P. (2004). American popular culture through history: The 1920s. Westport, CT: Greenwood Press.
Educational Broadcasting System. (2004). Rise of the Revue. Retrieved from http://www.pbs.org/wnet/broadway/hello/revue2.html
Ellington, D. (1973). Music is my mistress. New York, NY: Da Capo Press, Inc.
Emery, L. F. (1988). Black dance: From 1619 to today. Princeton, NJ: Princeton Book Co.
Glass, B. S. (2007). African American dance: An illustrated history. North Carolina and London: McFarland & Company, Inc.
Gussow, M. (1974, February 7). Irene a financial hit to all but its backers; Irene: trying the patience of angels. The New York Times. Retrieved from http://query.nytimes.com/mem/archive/pdf?res=F30B1EFC3E59127A93C5A91789D85F408785F9
Harvard University Library Open Collections Program. (n.d.) Aspiration, acculturation, and impact: Immigration to the United States, 1789-1930. Retrieved August 20, 2010 from http://ocp.hul.harvard.edu/immigration/timeline.html
Hill, C. V. (2010). Tap dancing America: A cultural history. New York, NY: Oxford University Press.
Hischak, T. S. (2008). The Oxford companion to the American musical: Theatre, film, and television. New York, NY: Oxford University Press.
Hughes, L., & Hubbard, D. (2002). The collected works of Langston Hughes: Autobiography: The big sea. Columbia, MO: University of Missouri Press.
Jones, J. B. (2003). Our musicals, ourselves: A social history of the American musical theatre. Hanover and London: Brandeis University Press.
Jules-Rosette, B. (2007). Josephine Baker in art and life: The icon and the image. Self-published.
Kenrick, J. (1996-2011). Musicals 101. Retrieved from http://www.musicals101.com
Kislan, R. (1987). Hoofing on Broadway: A history of show dancing. New York: Prentice Hall Press.
Klarman, M. J. (2004). From Jim Crow to Civil Rights: The Supreme Court and the Struggle for Racial Equality. New York, NY: Oxford University Press, Inc.
Knapp, R. (2005). The American musical and the formation of national identity. Princeton, NJ: Princeton University Press.
Krasner, D. (1997). Resistance, parody, and double consciousness in African American theatre, 1895-1910. Acme Art, Inc.
Library of Congress. (1996). Forms of Variety Theater. American Memory Collection. Retrieved from http://memory.loc.gov/ammem/vshtml/vsforms.html
Maslon, L. (2004). Broadway: The American musical. New York, NY: Bulfinch Press.
Maslon, L. (2004). Civil rights on Broadway. In Broadway: The American musical. Retrieved from http://www.pbs.org/wnet/broadway/hello/civil.html
Maslon, L. (2010). Broadway: The American musical. New York, NY: Bulfinch Press.
Mintz, Steven. (2007). Digital history. Retrieved from http://www.digitalhistory.uh.edu
Mordden, E. (2001, March 25). An elegy for an era, “Follies” itself goes on. The New York Times. Retrieved from http://query.nytimes.com/gst/fullpage.html?res=9C03E1DB1E3DF936A15750C0A9679C8B63&pagewanted=all
Oxford Dictionaries. (2010). Appropriation. Oxford University Press. Retrieved August 18, 2010, from http://oxforddictionaries.com/definition/appropriation?region=us
Peterson, B. L. (1993). A century of musicals in black and white: An encyclopedia of musical stage works by, about, or involving African Americans. Westport, CT: Greenwood Press. Radio City Rockettes: History. (n.d.). Retrieved August 3, 2010, from http://www.danceadts.com/Rockettes%20Micro%20Site/Rockette_12_30/rockette_history.htm
Riis, T. L. (2005). Black musical theatre in New York, 1890 – 1915. Ann Arbor, MI: ProQuest Company.
Schweitzer, M. (2009). When Broadway was the runway: Theater, fashion, and American culture. Philadelphia, PA: University of Pennsylvania Press.
Simon, J. (1981). Airborne Ellington. New York Magazine, 14(11), 43-4. Sklaroff, L. R. (2009). Black culture and the New Deal: The quest for civil rights in the Roosevelt era. North Carolina: University of North Carolina Press.
Smith, H. B. & Edwards, G. (1910, June 21). Follies of 1910: On New York Roof. The New York Times. Retrieved from http://query.nytimes.com/mem/archive-free/pdf?res=9407E0DF1230E233A25752C2A9609C946196D6CF
Smith, S. (2005). The musical: Race, gender and performance. London, England: Wallflower Press. Stearns, M. W., & Stearns, J. (1979). Jazz dance: The story of American vernacular dance. New York: Schirmer Books. Turk, E. B. (1998). Hollywood diva: A biography of Jeanette MacDonald. Berkeley and Los Angeles, CA: University of California Press.
Wayburn, N. (1925). The art of stage dancing: The story of a beautiful and profitable profession: A manual of stage-craft. United States: Ned Wayburn Studios of Stage Dancing, Inc.
Wilmeth, D. B. (Ed.). (2007). The Cambridge guide to American theatre. 2nd edition. Cambridge, MA: Cambridge University Press.
Woll, A. L. (1989). Black musical theatre: From Coontown to Dreamgirls. LA: Louisiana State University Press. Ziegfeld, R., & Ziegfeld, P. (1993). The Ziegfeld Touch. New York: Harry N. Abrams, Incorporated. Ziegfeld to close his midnight frolic: Not influenced by prohibition, he says, but complains of conditions imposed. (1921, May 18). The New York Times. Retrieved from http://query.nytimes.com/mem/archive-free/pdf?res=F40F13FE345B1B7A93CAA8178ED85F458285F9
References for this website
Bal Negre [Poster]. (1927). Retrieved from http://www.encore-editions.com/poster-a172-bal-negre-1927
Chaliapin, B. Choreographer George Balanchine: Who wants to see a pig jump? [Magazine cover]. (1954). Time Archive: 1923 to the present. Retrieved from http://www.time.com/time/covers/0,16641,19540125,00.html
A Step-by-Step Tour Through the Moves of Bob Fosse. (2000). St. Louis Post-Dispatch. Retrieved from http://www.theatredance.com/choreographers/
Josephine Baker with Tiger [image]. (2013). Black History Month on the Fashon Bomb: Josephine Baker’s Influence on Fashion. Fashion Bomb daily, February 4, 2013. Retrieved from http://fashionbombdaily.com/2013/02/04/black-history-month-on-the-fashion-bomb-josephine-bakers-impact-on-fashion/
Josephine Baker Quote. (2007). Before Madonna and Grace Jones there was...Josephine Baker. On the black hand side, November 20, 2007. Retrieved from http://www.blackhandside.net/2007/11/before-madonna.html
Viollet, H.R. (n.d.) Josephine Baker in one of her trademark vaudeville poses [Image]. St. Louis Post-Dispatch, February 3, 2012. Retrieved from http://www.stltoday.com/news/multimedia/look-back-josephine-baker-returns-to-st-louis/image_18e6b29d-b3f5-5000-89eb-4da006796e18.html
Walery, L. (c. 1927). Josephine Baker [image]. Retrieved from http://www.franceinter.fr/emission-le-7h43-josephine-baker-au-pantheon
Adler, S. (2004). On Broadway: Art and commerce on the great white way. IL: Southern Illinois University.
At the theatre: New version of 'Shuffle Along,' Negro musical comedy, is presented at the Broadway Theatre. (1952, May 9). The New York Times. Retrieved from http://query.nytimes.com/mem/archive/pdf?res=F30B16FB3C5E177B93CBA9178ED85F468585F9
Baker, J & Chase, C. (1993). Josephine: The hungry heart. New York, NY: Cooper Square Press. Barnes, C. (1973, March 14). Irene bustles merrily and relentlessly; they don't even take their clothes off. The New York Times. Retrieved from http://query.nytimes.com/mem/archive/pdf?res=F10D1FF73F54137A93C6A81788D85F478785F9
Bloom, K. (2004). Broadway: Its history, people, and places: An encyclopedia. New York, NY: Routledge.
Bloom, K., & Vlastnik, F. (2010). Broadway Musicals: The 101 greatest shows of all time. New York, NY: Black Dog & Leventhal Publishers, Inc.
Bordman, G. (2010). American musical theatre: A chronicle. New York, NY: Oxford University Press.
Bordman, G. M., & Hischak, T. S. (2004). The Oxford companion to American theatre. New York, NY: Oxford University Press.
Botto, L. (2002). At this theatre: 100 years of Broadway shows, stories and stars. New York, NY: Applause Books and Playbill Books.
Calta, L. (1952, May 13). Musical suspends to make revisions; 'Shuffle Along,' New edition of comedy success, expects to reopen in two weeks. The New York Times. Retrieved from http://query.nytimes.com/mem/archive/pdf?res=F70F1FF83B58107A93C1A8178ED85F468585F9
Clement, E. A. (2006). Love for sale: Courting, treating, and prostitution in New York City, 1900-1945. Chapel Hill, NC: University of North Carolina Press
DeFrantz, T. F. (2002). Dancing many drums: Excavations in African American dance. Madison, WI: University of Wisconsin Press. (2002).
Denning, M. (1998). (1998). The cultural front: The laboring of American culture in the twentieth century. New York and London: Verso.
Drowne, K. M. & Huber, P. (2004). American popular culture through history: The 1920s. Westport, CT: Greenwood Press.
Educational Broadcasting System. (2004). Rise of the Revue. Retrieved from http://www.pbs.org/wnet/broadway/hello/revue2.html
Ellington, D. (1973). Music is my mistress. New York, NY: Da Capo Press, Inc.
Emery, L. F. (1988). Black dance: From 1619 to today. Princeton, NJ: Princeton Book Co.
Glass, B. S. (2007). African American dance: An illustrated history. North Carolina and London: McFarland & Company, Inc.
Gussow, M. (1974, February 7). Irene a financial hit to all but its backers; Irene: trying the patience of angels. The New York Times. Retrieved from http://query.nytimes.com/mem/archive/pdf?res=F30B1EFC3E59127A93C5A91789D85F408785F9
Harvard University Library Open Collections Program. (n.d.) Aspiration, acculturation, and impact: Immigration to the United States, 1789-1930. Retrieved August 20, 2010 from http://ocp.hul.harvard.edu/immigration/timeline.html
Hill, C. V. (2010). Tap dancing America: A cultural history. New York, NY: Oxford University Press.
Hischak, T. S. (2008). The Oxford companion to the American musical: Theatre, film, and television. New York, NY: Oxford University Press.
Hughes, L., & Hubbard, D. (2002). The collected works of Langston Hughes: Autobiography: The big sea. Columbia, MO: University of Missouri Press.
Jones, J. B. (2003). Our musicals, ourselves: A social history of the American musical theatre. Hanover and London: Brandeis University Press.
Jules-Rosette, B. (2007). Josephine Baker in art and life: The icon and the image. Self-published.
Kenrick, J. (1996-2011). Musicals 101. Retrieved from http://www.musicals101.com
Kislan, R. (1987). Hoofing on Broadway: A history of show dancing. New York: Prentice Hall Press.
Klarman, M. J. (2004). From Jim Crow to Civil Rights: The Supreme Court and the Struggle for Racial Equality. New York, NY: Oxford University Press, Inc.
Knapp, R. (2005). The American musical and the formation of national identity. Princeton, NJ: Princeton University Press.
Krasner, D. (1997). Resistance, parody, and double consciousness in African American theatre, 1895-1910. Acme Art, Inc.
Library of Congress. (1996). Forms of Variety Theater. American Memory Collection. Retrieved from http://memory.loc.gov/ammem/vshtml/vsforms.html
Maslon, L. (2004). Broadway: The American musical. New York, NY: Bulfinch Press.
Maslon, L. (2004). Civil rights on Broadway. In Broadway: The American musical. Retrieved from http://www.pbs.org/wnet/broadway/hello/civil.html
Maslon, L. (2010). Broadway: The American musical. New York, NY: Bulfinch Press.
Mintz, Steven. (2007). Digital history. Retrieved from http://www.digitalhistory.uh.edu
Mordden, E. (2001, March 25). An elegy for an era, “Follies” itself goes on. The New York Times. Retrieved from http://query.nytimes.com/gst/fullpage.html?res=9C03E1DB1E3DF936A15750C0A9679C8B63&pagewanted=all
Oxford Dictionaries. (2010). Appropriation. Oxford University Press. Retrieved August 18, 2010, from http://oxforddictionaries.com/definition/appropriation?region=us
Peterson, B. L. (1993). A century of musicals in black and white: An encyclopedia of musical stage works by, about, or involving African Americans. Westport, CT: Greenwood Press. Radio City Rockettes: History. (n.d.). Retrieved August 3, 2010, from http://www.danceadts.com/Rockettes%20Micro%20Site/Rockette_12_30/rockette_history.htm
Riis, T. L. (2005). Black musical theatre in New York, 1890 – 1915. Ann Arbor, MI: ProQuest Company.
Schweitzer, M. (2009). When Broadway was the runway: Theater, fashion, and American culture. Philadelphia, PA: University of Pennsylvania Press.
Simon, J. (1981). Airborne Ellington. New York Magazine, 14(11), 43-4. Sklaroff, L. R. (2009). Black culture and the New Deal: The quest for civil rights in the Roosevelt era. North Carolina: University of North Carolina Press.
Smith, H. B. & Edwards, G. (1910, June 21). Follies of 1910: On New York Roof. The New York Times. Retrieved from http://query.nytimes.com/mem/archive-free/pdf?res=9407E0DF1230E233A25752C2A9609C946196D6CF
Smith, S. (2005). The musical: Race, gender and performance. London, England: Wallflower Press. Stearns, M. W., & Stearns, J. (1979). Jazz dance: The story of American vernacular dance. New York: Schirmer Books. Turk, E. B. (1998). Hollywood diva: A biography of Jeanette MacDonald. Berkeley and Los Angeles, CA: University of California Press.
Wayburn, N. (1925). The art of stage dancing: The story of a beautiful and profitable profession: A manual of stage-craft. United States: Ned Wayburn Studios of Stage Dancing, Inc.
Wilmeth, D. B. (Ed.). (2007). The Cambridge guide to American theatre. 2nd edition. Cambridge, MA: Cambridge University Press.
Woll, A. L. (1989). Black musical theatre: From Coontown to Dreamgirls. LA: Louisiana State University Press. Ziegfeld, R., & Ziegfeld, P. (1993). The Ziegfeld Touch. New York: Harry N. Abrams, Incorporated. Ziegfeld to close his midnight frolic: Not influenced by prohibition, he says, but complains of conditions imposed. (1921, May 18). The New York Times. Retrieved from http://query.nytimes.com/mem/archive-free/pdf?res=F40F13FE345B1B7A93CAA8178ED85F458285F9
References for this website
Bal Negre [Poster]. (1927). Retrieved from http://www.encore-editions.com/poster-a172-bal-negre-1927
Chaliapin, B. Choreographer George Balanchine: Who wants to see a pig jump? [Magazine cover]. (1954). Time Archive: 1923 to the present. Retrieved from http://www.time.com/time/covers/0,16641,19540125,00.html
A Step-by-Step Tour Through the Moves of Bob Fosse. (2000). St. Louis Post-Dispatch. Retrieved from http://www.theatredance.com/choreographers/
Josephine Baker with Tiger [image]. (2013). Black History Month on the Fashon Bomb: Josephine Baker’s Influence on Fashion. Fashion Bomb daily, February 4, 2013. Retrieved from http://fashionbombdaily.com/2013/02/04/black-history-month-on-the-fashion-bomb-josephine-bakers-impact-on-fashion/
Josephine Baker Quote. (2007). Before Madonna and Grace Jones there was...Josephine Baker. On the black hand side, November 20, 2007. Retrieved from http://www.blackhandside.net/2007/11/before-madonna.html
Viollet, H.R. (n.d.) Josephine Baker in one of her trademark vaudeville poses [Image]. St. Louis Post-Dispatch, February 3, 2012. Retrieved from http://www.stltoday.com/news/multimedia/look-back-josephine-baker-returns-to-st-louis/image_18e6b29d-b3f5-5000-89eb-4da006796e18.html
Walery, L. (c. 1927). Josephine Baker [image]. Retrieved from http://www.franceinter.fr/emission-le-7h43-josephine-baker-au-pantheon
